Table Of Content
"Hey, your review helped me choose my laptop!" That kind of feedback makes all the work we do feel extra valuable. Seeing how everyday tech translates into the media we consume daily was mind-blowing. They're the workhorses behind massive data sets, epic movie scenes, and everything in between. Having spent endless hours sitting in editing bays, I can’t stress enough the potential Strada shows for cutting that time in half. Time savings like this are crucial for production teams, especially while adhering to the pressure cooker schedules the industry is known for. I watched Strada CEO and founder of Strada, Michael Cioni, demonstrate the software’s revolutionary toolset.
NAB 2024: Blackmagic Design updates the production playbook
I had a fascinating conversation with Aaron Tsai, VP of Marketing at Amaran, about Amaran’s recent launch as an independent brand. Its focus on user-friendliness and mobile-friendly solutions, seamlessly integrating with Aputure's established quality is exactly what today's creators need. Amaran is a brand built by creators, for creators, and a commitment to this philosophy is evident throughout its catalog. In addition to the wide array of lenses available for L-mounts specifically, there’s a huge market of lenses that are compatible via adapters, including most lenses you might already have.
NAB 2024: Aputure pushes the lighting envelope
I spent far too much time at DJI’s booth ogling all the incredible new creator tools it unveiled. From the mind-blowing Avata 2 FPV drone to the rock-solid RS 4 gimbal, everything they showed off screams next-level content creation. DaVinci Resolve 19, Blackmagic Design’s professional-grade video production software, boasted a massive update, packed with features that will have creators jumping for joy. Powered by the DaVinci Neural Engine, the update includes groundbreaking AI tools like the IntelliTrack AI point tracker for flawless stabilization and object tracking. Colorists will love the new ColorSlice grading palette for precise six-vector corrections, while the Film Look Creator helps achieve that coveted cinematic look. I swung by the Insta360 booth at NAB 2024 and got to play around with its brand-new flagship camera, the X4.
iPad Apple event announced, FineWoven winding down, Apple TV FIFA deal
Blackmagic Design PYXIS 6K announced - CineD
Blackmagic Design PYXIS 6K announced.
Posted: Fri, 12 Apr 2024 17:26:34 GMT [source]
If you're looking for a powerful and versatile 360° camera, the Insta360 X4 is a good option to look at. During my time on the show floor, I was surrounded by brilliant minds pushing the boundaries of content creation–from Hollywood studios to passionate home creators dreaming of becoming the next industry giants. While many Mac owners use Final Cut Pro as their primary editor, DaVinci Resolve is commonly used for color grading due to its more powerful tools.
A true industry veteran with over 20 years of experience, David's demeanor is as laid-back as his T-shirt and jeans. Despite his impressive background–which includes serving as Director of Engineering at Adobe Systems and working with some of the most prominent production houses–he's one of the coolest people you'll ever meet. All knobs, dials and buttons are high quality and have been custom designed to produce the perfect amount of resistance, so customers can accurately fine tune any parameter. The full-frame camera can capture considerably more light and get more vivid colors without having to crank the ISO level up.
NAD 2024: DJI delivers on drones
Blackmagic's Ursa Cine 12K Is Its Most Advanced Video Camera - PetaPixel
Blackmagic's Ursa Cine 12K Is Its Most Advanced Video Camera.
Posted: Sat, 13 Apr 2024 07:00:00 GMT [source]
Pro video hardware is always expensive, and one compromise often seen in more affordable versions is more plasticky controls, with poorer feel. But BlackMagic says that this Micro Color still has weighted trackballs and precision knobs. It’s a similar story for other popular mounting systems like the Nikon F-mount (46.5 mm) or the Arri PL-mount (52 mm). The only major lens mount that’s too short to be adapted here is the Micro Four Thirds system, which happens to be the mount used on Blackmagic’s older Pocket Cinema Camera 4K. If you have lenses from an MFT camera, you might want to think carefully about upgrading. As a reviewer who connects with manufacturers and helps readers find the perfect laptop, hearing from creators–pros and hobbyists alike–is the ultimate validation.
NAB 2024: Strada’s AI revolutionizes content creation
Led by VP of Marketing Aaron Tsai, Amaran prioritizes user-friendliness and mobile-friendly solutions, seamlessly integrating with Aputure's established quality. Blackmagic’s start-to-finish color grading system is still second to none. The camera records in up to 12-bit Blackmagic RAW, and the company’s DaVinci Resolve software has some of the most robust color grading tools in the industry. In my testing, the full-frame camera gave me better results with the same conditions and workflow, rarely requiring as much tweaking in the Color tab to get the same image as I got from the PCC6K Pro.
Its newly unveiled Atlas software-defined storage platform and business model won the NAB 2024 Show Award for Product of the Year in the Connect Category - Cloud Computing and Storage. Atlas offers a revolutionary composable storage model, priced based on capabilities rather than capacity, giving creators advanced options. As an individual content creator, imagine being given back half of your time to focus on new projects or spend more time with clients or loved ones. I can't wait to test Strada out on my weekly productions as it will help free up my time for things like saying no to my kids for my own entertainment (just kidding... mostly). Plus, it has voice and gesture controls for hands-free shooting and super easy AI-powered editing to help you create stunning videos.
Hands-on: Multi-cam home studio – powered by a MacBook Pro and Thunderbolt
It shoots incredible 8K 360° videos, which allows you to pick any angle you want after filming. It's like having a time machine for your shots–letting you point the camera wherever you want, whenever you want, after the fact. Even after you reframe everything, the footage stays crisp and clear thanks to the super high resolution. For example, Canon’s popular EF mount—and the mount used on previous Blackmagic cameras—had a flange focal distance of 44 mm.
That means that each pixel is capturing almost three times as much light for each pixel in the image. The energy was electric and I left feeling seriously inspired about what's coming down the content creation pipeline. Their focus on understanding client needs and workflows was a refreshing approach in the industry. They have a tool for everyone, from filmmakers to vloggers to adrenaline junkies.
It shoots in a variety of resolutions and frame rates, including 5.7K 60fps for smooth slow motion and 4K 100fps for crazy cinematic slow-mo. Plus, it has a horizon lock to keep your videos level no matter what you're doing and an "invisible selfie stick" effect that makes it look like you're filming with a drone. The new model feels just as comfortable to use as Blackmagic's other cinema cameras. It might be a little bulky, but its chassis feels excellent whether you're holding it with one or two hands. The whole thing can be heavy, especially if you use it with Blackmagic's optional battery grip, but this is still my favorite design for everything from the studio to run-and-gun shoots. Previously under Aputure, Amaran has officially launched as an independent brand dedicated to supporting all levels of content creation.
The new more portable model features a mounting slot for an Apple iPad Pro, an internal battery and connects via Bluetooth or USB-C. The DaVinci Resolve Micro Color Panel is available in May from Blackmagic Design resellers worldwide for US$495. What sets the L-mount apart is its flange focal distance—that is, the distance from the outermost edge of the mount to the surface of the sensor. This matters because, when it comes to using adapters to put a lens designed for one mounting system on another, the mount you’re adapting a lens to can’t be larger than the mount it was originally designed for.
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